|
|
|
Phineas Taylor Barnum (1810-1891) and Ernestine de Faiber
|
The greatest impresario of the nineteenth century, P. T. Barnum was both an extremely shrewd judge of popular taste and an intuitive master of the art and science of publicity. As skilled in promoting legitimate entertainment as he was in marketing outlandish frauds, Barnum tickled the publics imagination and gleefully exploited its credulity for more than half a century. Though chiefly remembered as the founder of the Barnum and Bailey Circus, Barnum first gained national attention with the opening in 1842 of his American Museum on lower Broadway in New York City. Offering the public a veritable smorgasbord of entertainments, from natural history exhibits and exotic animals to sideshow curiosities and popular melodramasall for a single low admission feeBarnums museum rapidly became one of New Yorks most celebrated showplaces; a distinction it maintained until its destruction by fire in 1868. By the time he created the greatest show on earth in 1872, Barnum enjoyed an international reputation as a showman who could be counted on to amaze and delight audiences with performers and attractions of every descriptionall served up with a generous dose of the humbug that was Barnums specialty. |
Mathew Brady Studio (active 1844–1883)
Albumen silver print
Frederick Hill Meserve Collection
National Portrait Gallery, Smithsonian Institution
|
|
|
|
|